<span>There were big wins at this year's Cannes Film Festival for Arabic cinema on Saturday, with a special mention in the main competition for Elia Suleiman's comedy </span><span><em>It Must Be Heaven</em></span><span>, the Goldeneye Documentary Prize for Waad al-Kateab and Edward Watts's </span><span><em>For Sama, </em></span><span>and a tied third place in the Cinefondation section for Wisam Al Jafari's </span><span><em>Ambience.</em></span> <strong>Look through the photo gallery above to see more of the winners.</strong> <span>Suleiman's film </span><span>resulted in the director, who also starred in the movie, traversing the globe from Paris to New York alongside co-star Ali Suliman (</span><span><em>Homeland, Lone Survivor</em></span><span>) in a semi-autobiographical tale of a Palestinian man seeking a new homeland, only to find similarities with his homeland wherever he goes.</span> <span>Suleiman's film also picked up the Fipresci Critics' Award. The </span><span>jury said in a statement: "In a subtle, stylistically strong and humorous way, this film tells a story that goes beyond politics, religions, authorities and cultural differences. Even though those differences are observed with a sharp eye for the absurd that slides through hypocrisy and are delivered with great cinematic and often surprising choreographies."</span> <span><em>For Sama</em></span><span>, meanwhile, tells the story of co-director Al-Kateab's experience of being a young mother through the beginning of the war in 2012 to the fall of Aleppo in December 2016 via first-hand footage recorded in real time.</span> <span><em>Ambience</em></span><span> is directed by Palestinian student Wisam Al Jafari, who attends Palestine's Dar Al-Kalima University College of Arts and Culture. The film tells the story of a pair of aspiring musicians trying to record a demo in a hectic refugee camp. When their efforts are repeatedly hindered by the camp's noise, they hit on the idea of using the day-to-day buzz and noise of the camp as a soundtrack in its own right.</span> <span>Elsewhere, this year's top prize, the Palme d'Or, went to South Korean filmmaker Bong</span><span> Joon</span><span>-ho for </span><span><em>Parasite</em></span><span>, a dark comedy thriller exploring social class </span><span>through the eyes of a family of hustlers.</span> <span>French-Sen</span><span>egalese </span><span>filmmaker Mati Diop has also become the first black female director to win an award in Cannes' </span><span>history. Diop won the Grand Prix – the </span><span>second prize – for </span><span><em>Atlantics</em></span><span>, a </span><span>drama about young migrants and sexual politics.</span>