Mohammed Saeed Harib, centre, at the UAE premiere of The Prophet. Victor Besa for The National
Mohammed Saeed Harib, centre, at the UAE premiere of The Prophet. Victor Besa for The National
Mohammed Saeed Harib, centre, at the UAE premiere of The Prophet. Victor Besa for The National
Mohammed Saeed Harib, centre, at the UAE premiere of The Prophet. Victor Besa for The National

Emirati animator Mohammed Saeed Harib on directing Kahlil Gibran’s The Prophet


  • English
  • Arabic

Kahlil Gibran's The Prophet, an animated adaptation of the celebrated poet's most renowned work, is out in the UAE on May 7.

A Hollywood production ­celebrating a Lebanese life, the film is the work of 10 directors – but for one of them, today’s release marks a particularly special moment.

Mohammed Saeed Harib walked the red carpet at the film’s world premiere at the Toronto International Film Festival last year. He stood shoulder to shoulder with producer/star Salma Hayek at regional premieres in Doha and Beirut. But on May 5, the Emirati filmmaker brought it home, walking his own red carpet at the UAE premiere, hosted at Dubai’s Novo Cinemas Cineplex.

"It's a homecoming, a very proud moment for me," says the director, who is best known as the man behind Freej, the region's first computer-animated TV series.

“Almost 10 years ago we kick-started the animation ­industry in the Middle East. It was a shot out of the dark – and now it’s come full circle with this release.”

The English-language animated version of The Prophet stars Liam Neeson, who provides the voice of the central prophesying protagonist Mustafa, alongside Hayek as the female lead.

Inspired by the lessons of Gibran's text – originally a collection of 26 essays, published in English in 1923 – the film is divided into subtitled segments. Harib is one of nine animators called on to direct a stand-alone "lesson". These lessons are held together with a connecting story directed by Roger Allers, who is best known for the highest-­grossing animation of all time, Disney's The Lion King.

Harib's contribution stands out for two reasons: although the project was inspired by an Arab creator, he is the only Arab ­director on The Prophet, and the only one among the 10 who has not worked on a feature film ­before.

“Hiring me was a risk,” says Harib. “When they told me I was on board, I was very happy, but also very scared. There was a lot of pressure on me, a lot of ­expectation.”

Harib's segment, titled On Good & Evil, explores the idea that one's actions are rarely as morally transparent as they seem.

All of the directors were encouraged to experiment with different forms, and while Harib effectively used computer animation for Freej, he chose to tell this story using traditional animation techniques, using hand-painted watercolour frames.

As a result, it took more than three years to complete his three-and-a-half-minute segment, with a team of 25 people working in Dubai, Los Angeles and Paris responsible for hand-painting the 5,000 frames of animation that were needed.

“Gibran was a poet, and you can’t beat the magic of his words,” says Harib. “People use his words in weddings and funerals – and here we are putting them to animation. It was a great responsibility.”

The driving force behind the project is the Mexican-American actress Hayek, whose paternal grandfather was Lebanese.

She visited the country last week for the first time to launch The Prophet in Gibran's homeland.

“This project really came together because of her,” says Harib. “It was her baby, her passion. She wanted to pick up the book and bring it to a new generation.

“And what’s most amazing is that some of the biggest names in the world are coming together to celebrate an Arab creative guy – for me this is a big deal.”

As well as celebrating Arab talents of the past, Harib hopes the movie will help to encourage people in and outside the region to invest in today’s talents – especially those from the region’s film industry.

“For me, this was a big opportunity and these people chose us,” says the 36-year-old. “That push came from outside and now we’re standing shoulder to shoulder with the greats. The message is that we can deliver as Arab filmmakers – we just need the chance.

• Kahlil Gibran’s The Prophet will release in the UAE on May 7

rgarratt@thenational.ae

Ten tax points to be aware of in 2026

1. Domestic VAT refund amendments: request your refund within five years

If a business does not apply for the refund on time, they lose their credit.

2. E-invoicing in the UAE

Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption. 

3. More tax audits

Tax authorities are increasingly using data already available across multiple filings to identify audit risks. 

4. More beneficial VAT and excise tax penalty regime

Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.

5. Greater emphasis on statutory audit

There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.

6. Further transfer pricing enforcement

Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes. 

7. Limited time periods for audits

Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion. 

8. Pillar 2 implementation 

Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.

9. Reduced compliance obligations for imported goods and services

Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations. 

10. Substance and CbC reporting focus

Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity. 

Contributed by Thomas Vanhee and Hend Rashwan, Aurifer

Sheikh Zayed's poem

When it is unveiled at Abu Dhabi Art, the Standing Tall exhibition will appear as an interplay of poetry and art. The 100 scarves are 100 fragments surrounding five, figurative, female sculptures, and both sculptures and scarves are hand-embroidered by a group of refugee women artisans, who used the Palestinian cross-stitch embroidery art of tatreez. Fragments of Sheikh Zayed’s poem Your Love is Ruling My Heart, written in Arabic as a love poem to his nation, are embroidered onto both the sculptures and the scarves. Here is the English translation.

Your love is ruling over my heart

Your love is ruling over my heart, even a mountain can’t bear all of it

Woe for my heart of such a love, if it befell it and made it its home

You came on me like a gleaming sun, you are the cure for my soul of its sickness

Be lenient on me, oh tender one, and have mercy on who because of you is in ruins

You are like the Ajeed Al-reem [leader of the gazelle herd] for my country, the source of all of its knowledge

You waddle even when you stand still, with feet white like the blooming of the dates of the palm

Oh, who wishes to deprive me of sleep, the night has ended and I still have not seen you

You are the cure for my sickness and my support, you dried my throat up let me go and damp it

Help me, oh children of mine, for in his love my life will pass me by. 

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