
The opera ‘Sun & Sea (Marina)’ by Rugil Barzdziukait, Vaiva Grainyt and Lina Lapelyt at the Venice Biennale’s Lithuanian Pavilion Getty
The opera ‘Sun & Sea (Marina)’ by Rugil Barzdziukait, Vaiva Grainyt and Lina Lapelyt at the Venice Biennale’s Lithuanian Pavilion Getty
The hidden cost of being at the Venice Biennale
Representation is a priority for most countries, but funding is evermore precarious. Melissa Gronlund delves into the world of art and money