After opening in 1978, Sharjah's Flying Saucer has lived many lives over many years – cafe, grocery store, fast food restaurant. Last Saturday, it reopened after a two-year renovation as an art and community space run by the Sharjah Art Foundation (SAF).
The building’s design is distinctive for its Brutalist influences and unusual appearance against the backdrop of downtown Sharjah. The circular structure has a star-shaped canopy that gives it a space-age look, along with a seven-metre-high dome that sits on top of a ring of eight columns. Its panoramic facade is supported by V-shaped pillars.
SAF acquired the building in 2012 and began making renovations to restore its original form. This included removing inner partitions and a false ceiling that had been added in earlier years, additions that obscured the view of the dome from the inside.
Previous owners of the building also added aluminum and metal cladding on the canopy, pillars and inside the space, cutting off its 360-degree views. These have now been stripped and the building painted all in white.
Led by SAF and Mona El Mousfy of SpaceContinuum Design Studio, the modifications were initially made to accommodate the 2015 exhibition 1980-Today: Exhibitions in the United Arab Emirates, as part of the UAE National Pavilion for the 56th Venice Biennale. The major renovation project began in 2018.
El Mousfy explains that one of the first things to go was an annex linked to the Flying Saucer, constructed as a kitchen during the time the building was a restaurant. Now, the circular structure stands alone, situated on an elevated platform that will be used as an outdoor space for events and outdoor installations.
In place of the annex is one of the newest major additions, an underground community art space named Launch Pad, built underneath the structure and platform. Its size extends all the way to the edges of the site above ground.
Despite its location, the Launch Pad is bright and airy, thanks to the "green crater", a sunken circular courtyard that lets in light from above, as well as from three skylights installed along the sides of the structure.
The community area also includes a public art library – the first of its kind in the emirate – with publications from the foundation and other regional institutions, including Jameel Arts Centre. Underneath the dome is a wall panel that will be used for film screenings. The acoustics of the space have been considered as well, with speakers embedded into the ceilings to allow for sound to fill the space if needed.
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The Launch Pad features numerous table stations designed for workshops, as well as seating areas that double as spaces for socialising and can also be rearranged for film screenings. It also includes a cafe at one of its entrances, plus enclosed pods and rooms that can be used for meetings, workshops and other activities.
The Flying Saucer itself has become an exhibition space, reopening with an installation by Lindsay Seers and Keith Sargent titled Nowhere Less Now 3 [flying saucer]. Metallic silver sheets hang from the dome to house a film installation, while large-scale sculptures resembling reef balls and dolos encircle the space.
SAF has prepared a programme of film screenings, workshops and events such as poetry readings to take place in the coming weeks, in order to bring the community into the space. Visitors can expect to attend calligraphy, photography, drawing and tile art workshops, which are all free, though prior online registration is required.
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Tokenisation refers to the issuance of a blockchain token, which represents a virtually tradable real, tangible asset. A tokenised asset is easily transferable, offers good liquidity, returns and is easily traded on the secondary markets.
Key figures in the life of the fort
Sheikh Dhiyab bin Isa (ruled 1761-1793) Built Qasr Al Hosn as a watchtower to guard over the only freshwater well on Abu Dhabi island.
Sheikh Shakhbut bin Dhiyab (ruled 1793-1816) Expanded the tower into a small fort and transferred his ruling place of residence from Liwa Oasis to the fort on the island.
Sheikh Tahnoon bin Shakhbut (ruled 1818-1833) Expanded Qasr Al Hosn further as Abu Dhabi grew from a small village of palm huts to a town of more than 5,000 inhabitants.
Sheikh Khalifa bin Shakhbut (ruled 1833-1845) Repaired and fortified the fort.
Sheikh Saeed bin Tahnoon (ruled 1845-1855) Turned Qasr Al Hosn into a strong two-storied structure.
Sheikh Zayed bin Khalifa (ruled 1855-1909) Expanded Qasr Al Hosn further to reflect the emirate's increasing prominence.
Sheikh Shakhbut bin Sultan (ruled 1928-1966) Renovated and enlarged Qasr Al Hosn, adding a decorative arch and two new villas.
Sheikh Zayed bin Sultan (ruled 1966-2004) Moved the royal residence to Al Manhal palace and kept his diwan at Qasr Al Hosn.
Sources: Jayanti Maitra, www.adach.ae
Countries recognising Palestine
France, UK, Canada, Australia, Portugal, Belgium, Malta, Luxembourg, San Marino and Andorra
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- Individuals must register on UAE Drone app or website using their UAE Pass
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What are the regulations?
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Red flags
- Promises of high, fixed or 'guaranteed' returns.
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- Lack of clear information, vague language, no access to audited financials.
- Overseas companies targeting investors in other jurisdictions - this can make legal recovery difficult.
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Courtesy: Carol Glynn, founder of Conscious Finance Coaching
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16 Indoor cricket matches are 16 overs per side
8 There are eight players per team
9 There have been nine Indoor Cricket World Cups for men. Australia have won every one.
5 Five runs are deducted from the score when a wickets falls
4 Batsmen bat in pairs, facing four overs per partnership
Scoring In indoor cricket, runs are scored by way of both physical and bonus runs. Physical runs are scored by both batsmen completing a run from one crease to the other. Bonus runs are scored when the ball hits a net in different zones, but only when at least one physical run is score.
Zones
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B Side nets, between the striker and halfway down the pitch: 1 run
C Side nets between halfway and the bowlers end: 2 runs
D Back net: 4 runs on the bounce, 6 runs on the full
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If you’re going to go grey, a great style, well-cared for hair (in a sleek, classy style, like a bob), and a young spirit and attitude go a long way, says Maria Dowling, founder of the Maria Dowling Salon in Dubai.
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Toss: Nepal, chose to field
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Nepal 132-7: Jora 53 not out; Zahoor 2-17
Result: UAE won by 21 runs
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UAE currency: the story behind the money in your pockets