• Elias Kadoura, 2, explores Emotions!: The New Art Adventure at Louvre Abu Dhabi Children's Museum, which reopens on June 18. Victor Besa / The National
    Elias Kadoura, 2, explores Emotions!: The New Art Adventure at Louvre Abu Dhabi Children's Museum, which reopens on June 18. Victor Besa / The National
  • A total of 10 artworks from Louvre Abu Dhabi’s collection, as well as loans from French museums, become points of discovery at the children's museum. Victor Besa / The National
    A total of 10 artworks from Louvre Abu Dhabi’s collection, as well as loans from French museums, become points of discovery at the children's museum. Victor Besa / The National
  • A series of observation games on nearby screens, where players must find hidden details in the work, encourages children to pay closer attention to a subject’s expression and mood. Victor Besa / The National
    A series of observation games on nearby screens, where players must find hidden details in the work, encourages children to pay closer attention to a subject’s expression and mood. Victor Besa / The National
  • While Louvre Abu Dhabi reopened in June 2020, the children’s museum had to remain closed because of the UAE capital’s Covid-19 restrictions for children. At the same time, the team had to produce the exhibition and reconfigure a few elements to follow safety guidelines. Victor Besa / The National
    While Louvre Abu Dhabi reopened in June 2020, the children’s museum had to remain closed because of the UAE capital’s Covid-19 restrictions for children. At the same time, the team had to produce the exhibition and reconfigure a few elements to follow safety guidelines. Victor Besa / The National
  • The second section of Emotions! moves from observation to creation, with three stations for children to draw, create a collage or a sculpture. Victor Besa / The National
    The second section of Emotions! moves from observation to creation, with three stations for children to draw, create a collage or a sculpture. Victor Besa / The National
  • Jacob Morella, 4, with his parents and the Louvre Abu Dhabi Children's Museum team. Entry to the museum is free for visitors 18 years old or under. Victor Besa / The National
    Jacob Morella, 4, with his parents and the Louvre Abu Dhabi Children's Museum team. Entry to the museum is free for visitors 18 years old or under. Victor Besa / The National
  • While the museum's first section focuses on visual demonstrations of emotion, a digital DJ or music booth in the second section explores it aurally. By switching from different coloured vinyls, visitors can play sounds that echo feelings of happiness, sadness, fear and anger. Victor Besa / The National.
    While the museum's first section focuses on visual demonstrations of emotion, a digital DJ or music booth in the second section explores it aurally. By switching from different coloured vinyls, visitors can play sounds that echo feelings of happiness, sadness, fear and anger. Victor Besa / The National.
  • Emotions!: The New Art Adventure focuses on four basic emotions – joy, sadness, fear and anger – and allows children and their parents to explore them through artworks, games, creative activities and immersive experiences. Victor Besa / The National
    Emotions!: The New Art Adventure focuses on four basic emotions – joy, sadness, fear and anger – and allows children and their parents to explore them through artworks, games, creative activities and immersive experiences. Victor Besa / The National
  • The final section of Emotions!, decked out as more of a playground, is where feelings can be expressed and released. Victor Besa / The National
    The final section of Emotions!, decked out as more of a playground, is where feelings can be expressed and released. Victor Besa / The National
  • Jacob Morella, 4, launches his paper boat at the garden area of the exhibition. Victor Besa / The National
    Jacob Morella, 4, launches his paper boat at the garden area of the exhibition. Victor Besa / The National
  • Amine Kharchach of the Louvre Abu Dhabi Children’s Museum. Victor Besa / The National
    Amine Kharchach of the Louvre Abu Dhabi Children’s Museum. Victor Besa / The National

First look: Louvre Abu Dhabi's Children's Museum reopens with focus on exploring emotions


Alexandra Chaves
  • English
  • Arabic

After a year of being shuttered because of the pandemic, Louvre Abu Dhabi's Children's Museum reopens on Friday, with a new interactive exhibition that puts feelings front and centre.

Emotions!: The New Art Adventure focuses on four basic emotions – joy, sadness, fear and anger – and allows children and their parents to explore them through artworks, games, creative activities and immersive experiences. It is suitable for children from ages 4 to 10.

While Louvre Abu Dhabi reopened in June 2020, the children's museum had to remain closed because of the UAE capital's Covid-19 restrictions for children. At the same time, the team had to produce the exhibition and reconfigure a few elements to follow safety guidelines.

“We reviewed the designs to ensure that we have as much of a touchless experience as possible and that we can maintain social distancing,” says Amine Kharchach, Louvre Abu Dhabi’s interpretation and mediation manager, who headed up the creation of Emotions!.

The museum also installed additional sanitisation stations and limited the capacity of visitors to its spaces.

As museum-goers enter the space, they can create personal profiles and receive wristbands to scan at certain game stations throughout the show. Players can earn points with each game.

The first of the exhibition’s three sections lays the foundation for its theme. At the centre of the room is an interactive display with a cascading four-coloured waterfall, with each hue corresponding to each of the four basic emotions.

We focused on works with facial expressions because this is more accessible to children

A total of 10 artworks from Louvre Abu Dhabi’s collection, as well as loans from the Louvre Museum in Paris, Musee d’Orsay and Musee du Quai Branly – Jacques Chirac, become points of discovery, offering close observation of the art and the emotions conveyed within.

To appeal to children, the artworks' subjects have corresponding cartoon versions that speak to visitors on text displays. The 17th-century painting Boy with a Soap Bubble by Frans Hals the Elder, for example, is used as a model of happiness.

“This artwork shows me when I’m really happy. I’m so pleased my cheeks are all pink,” the character says, pointing out aspects of his painter’s style, too. “Frans has a talent for showing his models in a realistic manner with expressive spontaneous poses.”

A series of observation games on nearby screens, where players must find hidden details in the work and imagine the cause for his joy, encourages children to pay closer attention to the subject’s expression and mood.

Amine Kharchach of the Louvre Abu Dhabi Children’s Museum. Victor Besa / The National
Amine Kharchach of the Louvre Abu Dhabi Children’s Museum. Victor Besa / The National

“We always try to create the right level of engagement, so we rely on gamification and observational challenges that will make children look closer at the artworks,” Kharchach says.

The rest of the works span various periods and geographies, including a wooden mask from traditional Japanese theatre that represents a tragic prince figure, and a 2,000-year-old miniature terracotta mask with a fear-stricken expression from ancient Greek theatre.

Kharchach explains that he and his team considered both art history and scientific insights to select the works and find ways to utilise them.

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“We looked at the scientific literature on emotions and most experts agree on these four basic emotions that children can feel and experience, sometimes all in one day,” he says.

“Then we worked with art history to see how artists throughout the ages and civilisations worked with emotions and expressed them through their creations.

“We focused on works with facial expressions because this is more accessible to children,” he explains. “But we also added an example of a landscape painting and a sculpture that shows emotion through body gestures.”

Kharchach is referring to a clay sculpture entitled Weeping Woman, which dates back 2,700 years and shows a sorrowful female figure with her arms placed on her head and chest.

The second section of Emotions! moves from observation to creation, with three stations for children to draw, create a collage or a sculpture. For this, Louvre Abu Dhabi’s Children’s Museum worked with local artists to film instructional videos that are played on a loop at each station.

Ali Kashwani's tutorial teaches children how to draw facial expressions, while Shaima Al Amri helps them create a collage with stickers and Maryam Al Atouly shows them how to fashion sculptures from coloured pipe cleaners.

While the first section focuses on visual demonstrations of emotion, a digital DJ or music booth in the second section explores it aurally. By switching from different coloured vinyls, visitors can play sounds that echo feelings of happiness, sadness, fear and anger.

Jacob Morella, 4, launches his paper boat at the garden area of the exhibition. Victor Besa / The National
Jacob Morella, 4, launches his paper boat at the garden area of the exhibition. Victor Besa / The National

The final section of Emotions!, decked out as more of a playground, is where feelings can be expressed and released. In one display, The Anger Eater, children are asked to write or draw something that upset them on a piece of paper, then feed it to a giant mask with a gaping mouth.

Housed under the museum's dome, the section also features a colourful Tree of Joy, whose branches can be filled with visitors’ replies to prompts on leaf-shaped notes, as well as an artificial stream for paper boats covered in confessional scribbles.

On one side, individuals can spin a wheel of emotions that details how to deal with certain feelings when they arise. By registering for a wristband at the start of the show, visitors can receive a similar colour wheel of emotion that they can print out and use at home.

Digital booths in the exhibition's second section allow children to explore emotions aurally. Victor Besa / The National
Digital booths in the exhibition's second section allow children to explore emotions aurally. Victor Besa / The National

Though vaccination rates are on the rise and lockdowns are easing around the world, the pandemic has, undeniably, had a lingering effect on people's mental health. With many children adjusting to hybrid schooling and parents working from home alongside them, issues of emotional well-being have come to the forefront in many households. Kharchach is hoping that Emotions! can serve as a place to start a conversation for families.

“When we’re able to trigger interactions that encourage parents and children to explore together, sometimes this whole experience is important than the content itself,” he says.

Entry to Louvre Abu Dhabi and the Children’s Museum is free for visitors aged 18 and under. Admission tickets for accompanying adults are valid for both the museum’s galleries and exhibitions, as well as the Children’s Museum.

Emotions!: The New Art Adventure opens to the public on Friday, June 18 and runs until May 2023. More information is available at louvreabudhabi.ae

Ten tax points to be aware of in 2026

1. Domestic VAT refund amendments: request your refund within five years

If a business does not apply for the refund on time, they lose their credit.

2. E-invoicing in the UAE

Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption. 

3. More tax audits

Tax authorities are increasingly using data already available across multiple filings to identify audit risks. 

4. More beneficial VAT and excise tax penalty regime

Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.

5. Greater emphasis on statutory audit

There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.

6. Further transfer pricing enforcement

Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes. 

7. Limited time periods for audits

Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion. 

8. Pillar 2 implementation 

Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.

9. Reduced compliance obligations for imported goods and services

Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations. 

10. Substance and CbC reporting focus

Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity. 

Contributed by Thomas Vanhee and Hend Rashwan, Aurifer

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Marie Byrne, a counsellor who volunteers at the UAE government's mental health crisis helpline, said the ordeal the crew had been through would take time to overcome.

“It was worse than a prison sentence, where at least someone can deal with a set amount of time incarcerated," she said.

“They were living in perpetual mystery as to how their futures would pan out, and what that would be.

“Because of coronavirus, the world is very different now to the one they left, that will also have an impact.

“It will not fully register until they are on dry land. Some have not seen their young children grow up while others will have to rebuild relationships.

“It will be a challenge mentally, and to find other work to support their families as they have been out of circulation for so long. Hopefully they will get the care they need when they get home.”

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