A neon waterfall cascades from the ceiling at Aisha Alabbar Art Gallery. This shock of colour is actually a fishing net doused in neon paint and an artwork by Emirati artist Najat Makki.
In her latest solo exhibition, I Write in Colour, Makki embraces electric greens, pinks and yellows, a continuation of her years-long fascination with these vivid pigments.
“When neon paint first arrived in the UAE in the 1980s, I was enamoured with its possibility. First, the fact that it had such a vibrant and robust pigment appealed to me,” the artist says. “Secondly, when neon paint is illuminated with blacklight, it is transformed into a completely new experience. It brings a third dimension into the painting …”
Indeed, the artist often displays her paintings under UV light with the intention of giving visitors a chance to “feel and experience the joy of colour – the depth and changes that neon facilitates”.
I Write in Colour includes more than 35 artworks by Makki, from abstract neon paintings that are bold and dramatic to smaller, more playful works on variously shaped canvases, as well as sculpture and installation.
Born in 1956, Makki is a pioneering figure in the UAE art scene and was one of the first Emirati women to study art abroad in the 1970s. Over the past 40 years, she has expanded her subjects, motifs and style, adding elongated female figures on to her canvases in the 1990s, experimenting with sculpture and eventually focusing on neon paintings.
Though she mostly works in painting, she says that her interest in sculpture hasn’t waned.
“I have never shifted away from sculpture. In my paintings, you will see an attempt to push three-dimensionality through my techniques. I interrogate the surface, using the colours’ compositions, forms and elements,” she explains, adding that she works on building layers of colour on top of each other to add density and texture.
In 2019, Makki was celebrated via a survey exhibition at the reopening of the Cultural Foundation in Abu Dhabi. Titled Luminescence, the exhibition traced the artist’s career and practice in addition to documenting Makki’s role in UAE art history through an archival section of newspapers and photographs.
Her latest paintings at Aisha Alabbar Gallery – one of which shows a field of sunny yellows and lime greens overlaid with orbs and notches, and another layers of ocean blue and candy pink – were created during the pandemic.
Makki says that the period gave her more time to reflect and express ideas through new paintings and mixed media works.
“These artworks focused on the importance of solidarity to overcome the crisis. The intense colours were an expression of fear and anxiety that people felt at that time,” she explains.
Her process has always been intuitive, she says, allowing the colours to emerge and build until she feels she has found the right balance. “I don’t necessarily know what the outcome will be,” she says, though she often gives herself time to evaluate the painting until she finds that it bears “harmony” and “internal rhythm”.
Despite their abstract nature, she constantly draws from her own visions and personal experiences.
Makki keeps a daily visual diary where the stuff of daily life – “It may be a thought or a feeling from the lives of my friends and our environment. It could be about nature, including the inspiration of trees, animals or my relationships with place and time,” she says – gets transformed into sweeps of colour and shape that find their way on to the canvas.
I Write in Colour is on view at Aisha Alabbar Art Gallery until Wednesday, June 30. More information at aishaalabbar.art
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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
BUNDESLIGA FIXTURES
Saturday, May 16 (kick-offs UAE time)
Borussia Dortmund v Schalke (4.30pm)
RB Leipzig v Freiburg (4.30pm)
Hoffenheim v Hertha Berlin (4.30pm)
Fortuna Dusseldorf v Paderborn (4.30pm)
Augsburg v Wolfsburg (4.30pm)
Eintracht Frankfurt v Borussia Monchengladbach (7.30pm)
Sunday, May 17
Cologne v Mainz (4.30pm),
Union Berlin v Bayern Munich (7pm)
Monday, May 18
Werder Bremen v Bayer Leverkusen (9.30pm)
Other acts on the Jazz Garden bill
Sharrie Williams
The American singer is hugely respected in blues circles due to her passionate vocals and songwriting. Born and raised in Michigan, Williams began recording and touring as a teenage gospel singer. Her career took off with the blues band The Wiseguys. Such was the acclaim of their live shows that they toured throughout Europe and in Africa. As a solo artist, Williams has also collaborated with the likes of the late Dizzy Gillespie, Van Morrison and Mavis Staples.
Lin Rountree
An accomplished smooth jazz artist who blends his chilled approach with R‘n’B. Trained at the Duke Ellington School of the Arts in Washington, DC, Rountree formed his own band in 2004. He has also recorded with the likes of Kem, Dwele and Conya Doss. He comes to Dubai on the back of his new single Pass The Groove, from his forthcoming 2018 album Stronger Still, which may follow his five previous solo albums in cracking the top 10 of the US jazz charts.
Anita Williams
Dubai-based singer Anita Williams will open the night with a set of covers and swing, jazz and blues standards that made her an in-demand singer across the emirate. The Irish singer has been performing in Dubai since 2008 at venues such as MusicHall and Voda Bar. Her Jazz Garden appearance is career highlight as she will use the event to perform the original song Big Blue Eyes, the single from her debut solo album, due for release soon.
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Key fixtures from January 5-7
Watford v Bristol City
Liverpool v Everton
Brighton v Crystal Palace
Bournemouth v AFC Fylde or Wigan
Coventry v Stoke City
Nottingham Forest v Arsenal
Manchester United v Derby
Forest Green or Exeter v West Brom
Tottenham v AFC Wimbledon
Fleetwood or Hereford v Leicester City
Manchester City v Burnley
Shrewsbury v West Ham United
Wolves v Swansea City
Newcastle United v Luton Town
Fulham v Southampton
Norwich City v Chelsea
More from Neighbourhood Watch:
Winners
Ballon d’Or (Men’s)
Ousmane Dembélé (Paris Saint-Germain / France)
Ballon d’Or Féminin (Women’s)
Aitana Bonmatí (Barcelona / Spain)
Kopa Trophy (Best player under 21 – Men’s)
Lamine Yamal (Barcelona / Spain)
Best Young Women’s Player
Vicky López (Barcelona / Spain)
Yashin Trophy (Best Goalkeeper – Men’s)
Gianluigi Donnarumma (Paris Saint-Germain and Manchester City / Italy)
Best Women’s Goalkeeper
Hannah Hampton (England / Aston Villa and Chelsea)
Men’s Coach of the Year
Luis Enrique (Paris Saint-Germain)
Women’s Coach of the Year
Sarina Wiegman (England)
The biog
Full name: Aisha Abdulqader Saeed
Age: 34
Emirate: Dubai
Favourite quote: "No one has ever become poor by giving"
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The White Lotus: Season three
Creator: Mike White
Starring: Walton Goggins, Jason Isaacs, Natasha Rothwell
Rating: 4.5/5