<span>Even Nancy Ajram, one of the Arab world’s most successful pop stars, is prone to getting into a rut.</span> <span>Even the most ardent fan wouldn't begrudge the fact that her previous album, 2014's </span><em>Nancy 8</em><span>, seemed like a thoughtless selection of Egyptian and Khaleeji pop.</span> <span>Fortunately a sense of purpose has returned with the Lebanese star's latest effort </span><em>Nancy 9 </em><span>(Hassa Beek).</span> <span>Ajram wisely widens her pallet by incorporating sounds from the Mediterranean and South America.</span> <span>The title track is a breezy treat; the summery Latin groove compliments Ajram’s fragile vocals which often rely on personality rather than virtuosity.</span> <em>Helm El Banat </em><span>continues that welcome organic feel. The song should be a favourite when she performs it live, thanks to its anthemic chorus and Lebanese dabka rhythm.</span> <span>Of course, no Ajram album is complete without a intrinsically nonsensical pop number (case in point, </span><em>Ya Tabtab</em><span> and </span><em>Yalla</em><span>). Joining that list is</span><em> Khamsa Farfasha</em><span> - so fun and charming that it is churlish to criticise.</span> <span>With </span><em>Nancy 9</em><span>, Ajram straightens what was a rudderless ship.</span> <span>Offcourse, no Ajram album will be complete without a completely nonsensical pop number ( see Ya Tabtab and Yalla).<span> </span>Joining that list is Khamsa Farfasha - so fun and charming that it is churlish to criticise.</span> <span>With Nancy 9, Ajram straightens a rudderless ship.</span>