Elizabeth Taylor played the Egyptian queen in 1963's 'Cleopatra'. IMDb
Elizabeth Taylor played the Egyptian queen in 1963's 'Cleopatra'. IMDb
Elizabeth Taylor played the Egyptian queen in 1963's 'Cleopatra'. IMDb
Elizabeth Taylor played the Egyptian queen in 1963's 'Cleopatra'. IMDb

Why Cleopatra is no stranger to controversy: Unravelling the Egyptian queen's legacy both on screen and in history


Razmig Bedirian
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In the early hours of Sunday, Gal Gadot announced that she was set to play Cleopatra in a new film about the legendary Queen of the Nile.

The actress wrote on Twitter that she was teaming up with Wonder Woman director Patty Jenkins and screenwriter Laeta Kalogridis to bring Cleopatra to the big screen "in a way she's never been seen before".

"To tell her story for the first time through women's eyes, both behind and in front of the camera," Gadot continued. "I love embarking on new journeys, I love the excitement of new projects, the thrill of bringing new stories to life. Cleopatra is a story I wanted to tell for a very long time."

The announcement was not entirely met with the enthusiasm the Justice League star may have been expecting.

A social media storm began brewing in the wake of the news, with some criticising the casting decision, saying it was not appropriate for Gadot – an Israeli actress of European descent – to play the Egyptian queen. To date, no Egyptian actress has played the role of the country's last Ptolemaic ruler in a blockbuster film.

One of the most scathing comments came from journalist Sameera Khan, who posted a tweet asking who in Hollywood thought “it would be a good idea to cast an Israeli actress as Cleopatra instead of a stunning Arab actress like Nadine Njeim?”

Others pointed out that, however, that though Cleopatra was born in Egypt, she was probably of Greek-Macedonian descent.

She may have had some Persian ancestry but scholars almost unanimously agree that she did not have a drop of Egyptian blood in her.

"Cleopatra VII was white – of Macedonian descent, as were all of the Ptolemy rulers, who lived in Egypt," Kathryn Bard, professor of archaeology and classical studies at Boston University, told Newsweek.

Cleopatra traced her family origins to Ptolemy I Soter, one of Alexander the Great's generals, who founded the Ptolemic Kingdom in Egypt in 305 BC after Alexander the Great's conquest. Egypt, at the time, was loosely governed by the Persian Empire, which had control of the area since the decline of the Ancient Egyptian Empire in the late seventh century BC.

The Ptolemies went on to rule Egypt for nearly three centuries, making them the longest dynasty in ancient Egyptian history, and also the last. The dynasty came to a close with Cleopatra's death in 30 BC. Then Octavian (who would later become Caesar Augustus, the first Roman Emperor) took the opportunity to annex Egypt, effectively bringing the Ptolemic Kingdom to an end.

While Cleopatra did not have Egyptian ancestry, to say she was not Egyptian is another thing entirely.

Besides being born and raised in Egypt, the queen was one of the country's most powerful and intelligent rulers. She is also said to have been the only ruler of the house of Ptolemy to have learnt the language of ancient Egypt. She was proud of her country and did whatever she could to ensure its independence. Her reign brought Egypt two decades of security, stability and wealth. Egypt was also where Cleopatra died, taking her own life after it became clear that her and Mark Antony's forces were defeated at the hands of Octavian's army.

A legend with a complicated legacy

There have been many depictions of Cleopatra on screen, as well as on page and stage. And it is probably for this reason that her life has become so entwined with legend, making it difficult to separate fact from fiction.

For instance, modern-day historians don’t believe she committed suicide by allowing an Egyptian cobra to bite her. Instead, she is believed to have drunk some sort of poisonous cocktail, which most likely contained a lethal dose of opium or hemlock, according to German historian Christoph Schaefer.

Still, the facts of Cleopatra’s life are just as astounding as her legend.

Most of what we know of the Egyptian queen comes from the writings of Greco-Roman scholars, most notably Plutarch. But they all, almost unanimously, portray Cleopatra as an expert diplomat, who is said to have been able to speak nine languages. They show her to have been a perceptive negotiator with razor-sharp political acumen, who managed to have the two most powerful men of the world, at the time, wrapped around her little finger.

The strategies she resorted to ensure her place on the throne were no less amazing.

First, she fashioned herself as the living embodiment of the goddess Isis as a PR stunt to ensure favour with the masses. Then, after being dethroned by her younger brother, Ptolemy XIII, Cleopatra snuck into the Alexandria palace, where Julius Caesar was staying during a visit, by hiding in a laundry sack (though a different iteration of the story suggests she was rolled into a rug).

She managed to plead her case to the Roman statesman and win an alliance with him, which later blossomed into a love affair. Finally, seeking to expand her power and secure the rights of her son, Caesarion, whom she is thought to have had with Caesar, Cleopatra went to visit Mark Antony to forge an alliance with him. Legend even says that to make sure she made an impression, Cleopatra doused the sails of her royal ship in perfume so that Antony could smell it before it arrived. Shakespeare wrote the sails were "so perfumed that the winds were lovesick with them".

But Cleopatra's life was also filled with betrayal, fratricide, sororicide and suicide, in a tale that would make Game of Thrones author George RR Martin blush. Her relationship with Mark Antony inspired myriad plays, from Shakespeare's Antony and Cleopatra, circa 1607, to The Death of Cleopatra, written in 1927 by one of the greatest Arab poets and dramatists, Ahmed Shawqi. The famous couple also found a place in Dante Alighieri's 14th century poem Inferno and in the 1972 opera Antoine et Cleopatre by French composer Emmanuel Bondeville.

A star of the screen

So is Gadot’s bill to become this generation’s representation of Cleopatra, as a woman with no Egyptian or Greek ties, culturally insensitive? Critics are divided. But her casting seems to echo a long tradition in Hollywood.

One of the earliest depictions of the Egyptian queen in cinema was in 1899, in a two-minute silent film by French illusionist and film director Georges Melies, who was also behind the classic A Trip to the Moon.

The film Robbing Cleopatra's Tomb – which is now believed to be lost – wasn't so much about Cleopatra's life, but rather her mummy. The film followed a man's attempts to resurrect Cleopatra, who was played by Melies's wife, French actress Jehanne D'Alcy.

In 1908, a 10-minute film based on Shakespeare's Antony and Cleopatra was released. It was the first film to dramatise the ill-starred romance between the couple. The film stars Canadian-American stage and film actress Florence Lawrence, who is often referred to as the "first movie star" in the titular role.

Then came the 1912 silent historical drama Cleopatra, which portrays the queen and her love affairs through a series of opulently staged tableaux. The film is considered to be one of the first US full-length films, running for 100 minutes. US stage and film actress Helen Gardner took on the titular role, and produced the lion's share of the film herself, even designing the costumes.

French actress Micheline Dax, meanwhile, lent her voice to 1968 animation Asterix and Cleopatra. The film follows popular cartoon characters Asterix and Obelix as they travel to Ancient Egypt to help the queen build a lavish new summer home.

British actress Vivien Leigh – who starred as Scarlett O'Hara in Gone With The Wind – also played Cleopatra in the 1945 film Caesar and Cleopatra. The film was adapted from the 1901 play by George Bernard Shaw, and shone a spotlight on the romance between Julius Caesar and Cleopatra, with an ageing Caesar trying to mediate a feud between Cleopatra and her younger brother, Ptolemy XIII.

The most recognisable portrayal of the Queen of the Nile was, arguably, by Elizabeth Taylor in 1963's Cleopatra. In a review for The Hollywood Reporter, James Powers wrote: "Miss Taylor is the supreme star of the screen. Her beauty has never been more radiant. Her shudder when she learns, inadvertently, of her son's death — and with it all her ambitions — is one of those inspirations that is unforgettable."

Taylor's performance in the film was so revered that it became the golden standard against which all subsequent portrayals of Cleopatra were judged – and there have been quite a few, from Italian actress Sophia Loren's 1954 film Due Notti con Cleopatra to Chilean actress Leonor Varela's take on the role in the 1999 film Cleopatra.

Still, there have been very few depictions of the Egyptian queen by actresses from the region. In fact, there appears to be only one. Syrian soap opera star Sulaf Fawakherji took the role in the 2010 Arabic TV series Cleopatra, which begins shortly before Caesar's arrival to Egypt and continues until her death.

Gadot’s casting as the legendary queen has, no doubt, brought Cleopatra’s name to the centre of a controversy again. Even centuries after her reign, she continues to spark heated conversations, ensuring her legacy as one of the most powerful figures in history.

Libya's Gold

UN Panel of Experts found regime secretly sold a fifth of the country's gold reserves. 

The panel’s 2017 report followed a trail to West Africa where large sums of cash and gold were hidden by Abdullah Al Senussi, Qaddafi’s former intelligence chief, in 2011.

Cases filled with cash that was said to amount to $560m in 100 dollar notes, that was kept by a group of Libyans in Ouagadougou, Burkina Faso.

A second stash was said to have been held in Accra, Ghana, inside boxes at the local offices of an international human rights organisation based in France.

Know your camel milk:
Flavour: Similar to goat’s milk, although less pungent. Vaguely sweet with a subtle, salty aftertaste.
Texture: Smooth and creamy, with a slightly thinner consistency than cow’s milk.
Use it: In your morning coffee, to add flavour to homemade ice cream and milk-heavy desserts, smoothies, spiced camel-milk hot chocolate.
Goes well with: chocolate and caramel, saffron, cardamom and cloves. Also works well with honey and dates.

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Name: Hassan Mohsen Elhais

Position: legal consultant with Al Rowaad Advocates and Legal Consultants.

Polarised public

31% in UK say BBC is biased to left-wing views

19% in UK say BBC is biased to right-wing views

19% in UK say BBC is not biased at all

Source: YouGov

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Are non-fungible tokens a currency, asset, or a licensing instrument? Arnab Das, global market strategist EMEA at Invesco, says they are mix of all of three.

You can buy, hold and use NFTs just like US dollars and Bitcoins. “They can appreciate in value and even produce cash flows.”

However, while money is fungible, NFTs are not. “One Bitcoin, dollar, euro or dirham is largely indistinguishable from the next. Nothing ties a dollar bill to a particular owner, for example. Nor does it tie you to to any goods, services or assets you bought with that currency. In contrast, NFTs confer specific ownership,” Mr Das says.

This makes NFTs closer to a piece of intellectual property such as a work of art or licence, as you can claim royalties or profit by exchanging it at a higher value later, Mr Das says. “They could provide a sustainable income stream.”

This income will depend on future demand and use, which makes NFTs difficult to value. “However, there is a credible use case for many forms of intellectual property, notably art, songs, videos,” Mr Das says.

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What can victims do?

Always use only regulated platforms

Stop all transactions and communication on suspicion

Save all evidence (screenshots, chat logs, transaction IDs)

Report to local authorities

Warn others to prevent further harm

Courtesy: Crystal Intelligence

In numbers

1,000 tonnes of waste collected daily:

  • 800 tonnes converted into alternative fuel
  • 150 tonnes to landfill
  • 50 tonnes sold as scrap metal

800 tonnes of RDF replaces 500 tonnes of coal

Two conveyor lines treat more than 350,000 tonnes of waste per year

25 staff on site

 

Company profile

Name: Steppi

Founders: Joe Franklin and Milos Savic

Launched: February 2020

Size: 10,000 users by the end of July and a goal of 200,000 users by the end of the year

Employees: Five

Based: Jumeirah Lakes Towers, Dubai

Financing stage: Two seed rounds – the first sourced from angel investors and the founders' personal savings

Second round raised Dh720,000 from silent investors in June this year

Farage on Muslim Brotherhood

Nigel Farage told Reform's annual conference that the party will proscribe the Muslim Brotherhood if he becomes Prime Minister.
"We will stop dangerous organisations with links to terrorism operating in our country," he said. "Quite why we've been so gutless about this – both Labour and Conservative – I don't know.
“All across the Middle East, countries have banned and proscribed the Muslim Brotherhood as a dangerous organisation. We will do the very same.”
It is 10 years since a ground-breaking report into the Muslim Brotherhood by Sir John Jenkins.
Among the former diplomat's findings was an assessment that “the use of extreme violence in the pursuit of the perfect Islamic society” has “never been institutionally disowned” by the movement.
The prime minister at the time, David Cameron, who commissioned the report, said membership or association with the Muslim Brotherhood was a "possible indicator of extremism" but it would not be banned.

Analysis

Members of Syria's Alawite minority community face threat in their heartland after one of the deadliest days in country’s recent history. Read more

Groom and Two Brides

Director: Elie Semaan

Starring: Abdullah Boushehri, Laila Abdallah, Lulwa Almulla

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