A leaf that doubles as a dog’s ear, stems that make for insect legs and a twig that becomes a baby. Garden artists are using nature’s bounty to unleash their creativity.
Foraging for materials including petals, seeds and acorns, nature lovers – many of whom are gardening enthusiasts – from all over the globe create both portraits and abstract art. These are then photographed for posterity, while the original work is recycled or left for the wind to carry away. The overarching aim of so-called Earth art is to create something of ephemeral beauty, even if it’s transient.
“Nature is an infinite well of inspiration, so naturally I gravitate towards it,” says Canadian artist and photographer Raku Inoue, who makes colourful portraits using flowers, twigs, leaves, seeds and stems placed on white paper, which he then photographs.
His creations also include orangutans, llamas, colourful birds, fish and butterflies, and even dinosaurs. He uses freshly cut flowers to create portraits of insects, from delicate beetles to vibrant ladybirds, using stems to artfully form legs.
Given the nature of his work, Inoue’s palette shifts with the seasons as leaves and petals change colour. He also digitally manipulates the arrangements using different angles to make a montage.
Fellow garden artist Subhashini Chandramani, who lives in Bengaluru, India, uses discarded petals, leaves and seeds to make portraits of anything from the Hindu deity Krishna, complete with a flute, to Audrey Hepburn, flamenco dancers and birds, using poinsettia leaves. For Earth Day in April, Chandramani created a stunning world map using the petals of different flowers on a black backdrop.
“The materials I use originate primarily from my own garden. Even when I am out in parks, I am always on the lookout for unique leaves, flowers, seeds and even vegetables that can inspire my next piece of art,” says Chandramani. “The process of creating each piece is a dance with time and nature, and a little like assembling a puzzle. For example, I've transformed the leaf of Leea rubra into a Native American’s eyes, and a crepe jasmine leaf into a sky filled with birds.”
In Chicago, artist Vicki Rawlins and her daughter Brooke spend much of their time outdoors foraging for materials that Rawlins then uses in her whimsical art.
“I work with foliage that I forage from walks in my yard and neighbourhood and build detailed scenes and portraits with no glue or tape, just 100 per cent Mother Nature,” says Rawlins. “Sometimes I’ll buy flowers from a local shop if I can't find what I need in my own backyard.
"My pieces aren’t permanent. After I take photos of what I create, I put the foliage back outside in the compost pile for a new life,” adds Rawlins, whose Instagram feed is filled with landscapes and portraits, including one of Frida Kahlo with a head full of flowers.
“If I like what I’ve done I’ll turn the photos into fine art prints and greeting cards,” she says.
British painter and photographer Hannah Bullen-Ryner is garden artist who assembles works not on paper, but rather on woodland floors. She describes herself as “a land artist and woodland pixie in love with the natural world”, and makes portraits of hummingbirds and owls using wildflowers, berries, leaves, seeds, twigs and petals.
She arranges various elements, such as leaves to form the feathers of a bird, such that they resemble artistic brush strokes before she leaves them to be reclaimed by nature.
Ryner also creates images of white tigers and chimpanzees drawn using chalk and water, then filled with foraged materials. She sells prints of her creations on Etsy.
Bridget Beth Collins, from Seattle, has been creating floral art for 15 years. “It started when I was walking through my garden one day and saw a ‘goldfish’ in my orange poppies. I brought the poppy inside and painted a body on a piece of paper, then used the petals as fins. Since that day I have made different animals, landscapes and books with flowers,” says Collins.
Her love of nature has been fostered by backpacking trips and time spent in mountain meadows in the state of Washington. Her Instagram feed is filled with eclectic images of everything from gnomes and turtles to bicycles and even the Eiffel Tower made out of petals, leaves and seeds.
“I forage for wildflowers from meadows and parks, and also grow my own flowers or buy bouquets at the market to create my botanical art. Many of my friends give me flowers from their gardens knowing I will create with them,” says Collins, who sells prints of her work at Floraforager.com.
In Singapore, fashion illustrator Grace Ciao uses petals and leaves to create “bloom belles”.
These are illustrations of women in stylish dresses, with full skirts and glamorous gowns made with the petals of daisies, gerberas and roses. Sometimes Ciao will use a whole flower to form a garment.
Unlike many other garden artists, Ciao draws and paints an entire picture before adding petals or leaves as embellishments.
Also differing from the norm is London artist Chris Kenny, whose nature portraits use just one material: twigs.
Kenny makes everything from detailed dancing figures and babies to abstract portraits by joining together the twigs he forages.
“Twigs provide naturally rhythmic, characterful and unpredictable lines,” says Kenny. “They reveal connections between plant limbs and human limbs with an exuberance inherent to life.”
Tamkeen's offering
- Option 1: 70% in year 1, 50% in year 2, 30% in year 3
- Option 2: 50% across three years
- Option 3: 30% across five years
The Written World: How Literature Shaped History
Martin Puchner
Granta
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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
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Company Profile
Name: Thndr
Started: 2019
Co-founders: Ahmad Hammouda and Seif Amr
Sector: FinTech
Headquarters: Egypt
UAE base: Hub71, Abu Dhabi
Current number of staff: More than 150
Funds raised: $22 million
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The specs
Engine: 2.0-litre 4-cyl turbo
Power: 247hp at 6,500rpm
Torque: 370Nm from 1,500-3,500rpm
Transmission: 10-speed auto
Fuel consumption: 7.8L/100km
Price: from Dh94,900
On sale: now
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Tank warfare
Lt Gen Erik Petersen, deputy chief of programs, US Army, has argued it took a “three decade holiday” on modernising tanks.
“There clearly remains a significant armoured heavy ground manoeuvre threat in this world and maintaining a world class armoured force is absolutely vital,” the general said in London last week.
“We are developing next generation capabilities to compete with and deter adversaries to prevent opportunism or miscalculation, and, if necessary, defeat any foe decisively.”