Mark Wahlberg, left, Nicola Peltz and TJ Miller in Transformers: Age of Extinction. Courtesy Paramount Pictures / AP Photo
Mark Wahlberg, left, Nicola Peltz and TJ Miller in Transformers: Age of Extinction. Courtesy Paramount Pictures / AP Photo

The robots return in Transformers: Age of Extinction



Transformers: Age of Extinction

Director: Michael Bay

Starring: Mark Wahlberg, Stanley Tucci, TJ Miller, Jack Reynor, Nicola Peltz

Two stars

Crash. Shatter. Boom. Crash. Shatter. Boom. Smattering of silly dialogue. Pretty girl screams: “Dad!” Crash. Shatter. Boom. Silly dialogue. “DAD!!!” Crash. Shatter. Boom.

What? Oh, sorry. We were falling into a trance there.

Which is, dear moviegoer, what may happen to you during Michael Bay's Transformers: Age of Extinction, the fourth Transformers film and, at 165 minutes, precariously close to the three-hour mark that Bay undoubtedly will reach – by our sophisticated calculations, and at the current growth rate, with his sixth instalment.

But let's not get ahead of ourselves. Despite what you've just read, this film will likely be a massive hit because by now, if you're buying a Transformers ticket, you surely know what you're getting into and you want more, more, more. And Bay is the Master of More.

Or just take it from the 11-year-old sitting next to me, who reserved any audible judgement – he, too, was in a trance, though maybe from sugar intake – until the moment he saw a Transformer become a dinosaur. Overwhelmed by the pairing, he proclaimed: “That’s the sickest thing I’ve ever seen in my life.” It was as if peanut butter and jelly had been tasted together for the first time.

While you ponder where between these extreme reactions you’ll fall, a quick update. This time, there’s a whole new human cast. Most important, Mark Wahlberg has replaced Shia LaBeouf as, well, Main Human Guy, and the good news is that Wahlberg’s grounded quality, rough charm and really nice biceps make him a thoroughly welcome presence. The bad news: he isn’t immune to the numbing effects of some desperately cheesy dialogue (Ehren Kruger wrote the ­screenplay).

A significant part of the movie also takes place in China – clearly a nod to the franchise’s huge market there. Whether such obvious wooing of the Chinese audience will work or backfire – the film also includes very obvious placement of Chinese products – remains to be seen.

Bay is very talented at all things visual; the 3-D works well and the robots look great. But the final confrontation alone lasts close to an hour and, at some point, you may find yourself simply in a daze, unable to absorb any further action into your brain.

But one viewer’s migraine is another’s euphoria. You decide.

artslife@thenational.ae

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